The Red King, Alchemy & Witchcraft... (Revisited)

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[00:01:27] Good evening, good morning, wherever you are around the world. Tonight, we're going to discuss the Red King, Alchemy, and Witchcraft. You may have noticed that this past week, one of the major items in the news cycle was the release of this first official portrait of King Charles since his coronation.

[00:01:52] And if you looked at the picture, many have already done breakdowns of the things symbolized in the picture, but all of the ones I've heard missed all of the important points. And that's what we're going to discuss here today. Because you see, there's more than meets the eye to this. It's not just some stark reference to perhaps the monarch program or mind control, as some have speculated.

[00:02:19] It's not about connections necessarily to Freemasonry that is part of it. Because Freemasonry is one of the secret schools that promulgates much of the hidden esoteric agenda behind the scenes. And it's not so much about perhaps these various things that have been discussed about perhaps the artist being related to some member of the British Parliament or some such thing.

[00:02:48] Yes, these are all good points and they are all valid points. But what we need to understand is what is the true esoteric agenda and meaning behind that. And that's what we're going to discuss here tonight. Because you see, just like everything else, it always, always, always ties back not only to the occult, but alchemy.

[00:03:13] And in addition to alchemy, we know the royal family's connections to the various druidic cults in the British Isles. You see, Queen Elizabeth was initiated before her coronation by the druidic high priest at the time. And there were very famous photos of this that have circulated on the internet now. And we've looked at this in the past.

[00:03:43] So there is this connection to what is known as primal witchcraft, which was practiced by this druidic cult. And she was initiated by the high druid. Now, this is an interesting correlation here. As we'll see as we tie this back not only to alchemy, but we'll look at this form of witchcraft, which is called primal witchcraft.

[00:04:09] And there are various distinctions between forms of these things. It's not what you would call your standard witchcraft, but it actually represents a lot of the key or core principles behind all of what they would term witchcraft. Now, many have fallen into these subcategorizations in the modern era of what they would call either pagan or Wiccan.

[00:04:34] And some of these are false dichotomies and false distinctions because in so doing, they've misconstrued some things and they've associated the term pagan unrightly to witchcraft. And the entire distinction or idea of Wicca arose from within the secret schools and was foisted

[00:05:04] upon the people as part of this new age movement. So this is not a real actual religion that has delineated from antiquity, as they would have you believe. It's an amalgamation of different things that was put together by the secret schools and foisted upon the public. And many people will lump together witchcraft, Wiccan or Wicca and paganism all in the same category.

[00:05:33] And that's not necessarily right. There's distinctions between this. But the roots behind what we would consider witchcraft in the modern era are derived in this primal witchcraft. And we'll discuss that a little bit later. But first, we need to get to the connections here with the Red King and alchemy. And we'll understand a few more things.

[00:06:04] And we'll see what this unveiling of this portrait was really all about. Because you see, folks, what this is at the core of all of it is a signal about the unleashing of the new world order. And we'll get there.

[00:06:26] But first, let's look at the mainstream articles that we have here discussing this very portrait and its release. So we have here from BBC News last week, May 14th, 2024.

[00:06:51] King Charles' first official portrait since coronation is unveiled, painted by Jonathan Yeo. The first official painted portrait of King Charles III since his coronation has been unveiled at Buckingham Palace. The vast oil on canvas shows a larger-than-life King Charles in the uniform of the Welsh Guards. The vivid red work, measuring about 8 feet 6 inches by 6 feet 6 inches, is by Jonathan Yeo,

[00:07:21] who has also painted Tony Blair, Sir David Attenborough, and Malala Yousafzai. Queen Camilla is said to have looked at the painting and told Yeo, You've got him! I'm going to pause right there. So let's address the obvious. And I think some others have gone at this, if I'm not mistaken. My friend RV, that's Russian Vids, has taken a run at this and pointed out some of the obvious

[00:07:51] encoding of numbers and various things in here, which he was able to tie to the Freemasons. And he did an excellent job of doing so. So I think one of the things he may have pointed out, if memory serves me, is the dimensions. Notice they mention that the dimensions of the painting are 8 feet 6 inches by 6 feet 6 inches, thus getting the three sixes in there, like always, with many of these things.

[00:08:20] So that's all encoded there. But see, these are just the surface level things to distract us from what the true esoteric meaning behind this is. And of course, we see that the painter chose, well, allegedly chose this certain motif, the red. This whole red hue for the entire picture.

[00:08:51] And there's reasons behind this. Now, I don't know what the official reasons are why he claims to have chosen red. Maybe it'll cover that in this article. At least this is the official story. But behind the scenes, I can tell you, Oh, there's some big things encoded in this. Just the simple notion of the red king.

[00:09:18] You can do a quick Google search of a red king. And you'll come up with some various hits on the notion of the red king. But we're going to tie it back to alchemy. Because this is where it is all derived from. You see, it's a real alchemical process that's being foisted upon the human collective unconscious right now. And it's all about the introduction of this new world order. The rising of the phoenix from the ashes.

[00:09:48] As we shall see here. So we have this picture. And if you haven't seen this picture, I would strongly suggest go look it up. You can find the news articles about it. You can find this picture. You can find where various other researchers this past week have put this into Photoshop. They've done mirror reflections of it. They've found all kinds of demonic stuff presented in the background of this picture. Plus we have the clearly visible butterfly.

[00:10:15] An homage to mind control, among other things. An homage to metamorphosis. That's what this is about. This is about transforming the old world into the new world. So that is one of the key components of this. And if you look carefully at this picture, you'll notice various other things with occult connotations. The fact that he is holding a sword in his left hand.

[00:10:45] You'll notice many of the hidden images in the background as well. Like I said, there have been those that have run this through Photoshop. Mirror imaged it. And they've come up with images of Baphomet and such things in there. Which are undeniably there when you look. And you do that. And all of these symbols have a purpose.

[00:11:13] Now whether this was the artist himself, who's a member of one of the secret schools that encoded all this stuff there on purpose, is open for debate. Now I will argue that there are intelligences and forces, spiritual powers in high places, that steer and guide and direct things. And oftentimes we'll be able to manifest certain things into this reality through various media to get these things out there.

[00:11:42] So perhaps this artist was channeling something unknowingly or knowingly when he put this painting together. And was able to encode all of these things in the painting. Now I don't know this guy's background, but I do know he has been shown to be related to some member of British Parliament, if my memory serves me correctly. And he's got the inroads to power. To the positions of power.

[00:12:12] He has connections and ties there to these people in positions of power. So that being the case, it's very possible that this artist can have been influenced by some spiritual guidance of sorts to put this painting together. But let's see what else we can find out here.

[00:12:41] Now the artist, his name being Jonathan Yeo, It says here in the article, he jokes, If this was seen as treasonous, I could literally pay for it with my head, which would be an appropriate way for a portrait painter to die, to have their head removed. Now does that sound like a normal conversation? Think about that. This guy is making jokes about being beheaded.

[00:13:10] Now that, in and of itself, is an allusion to an initiation ritual. So he's making it known. He's keeping the secrets. He's making it known that he is doing what he's supposed to do. He's performing the great work.

[00:13:37] And he's letting those who have eyes to see understand who he is. Now having read that, I understand this guy is not just absentmindedly a useful idiot who put this together without knowing what the symbology really means. He just communicated that in that statement here in this mainstream article from the BBC. And this is how they do things. They hide it in plain sight.

[00:14:08] So he's letting you know. He knows what he's doing. Now I may have had doubts about that. But now that I've read this mainstream article, where he makes that joke, it says Yao jokes, if this was seen as treasonous. In context, it says that unveilings are always nerve-wracking for both the sitter and the artist, but particularly when one of them is a king.

[00:14:35] Because of the stories of kings having people beheaded if they didn't follow their will in the past, he was able to make this aloof joke, connecting himself to the secret schools, in the article here from the BBC, hidden in plain sight. Says, In reality, Yao isn't going to lose his head, of course. No executions for a badly received portrait of a monarch in modern times anyway. Not for that.

[00:15:02] Fortunately, he has also already had a nod of approval from a key royal figure. No kidding. The queen dropped in during the final setting, or sitting, and said the artist had captured the king well. Yao says, the best judge of a portrait, is someone who knows your sitter really well because they have instant recognition of whether it feels familiar. The king also got a glimpse of it, says Yao, in its half-done state. He was initially mildly surprised by the strong color,

[00:15:32] but otherwise he seemed to be smiling approvingly. It is a vibrant painting. The king was made regimental colonel in the Welsh Guards in 1975. In the picture, the red of the uniform fades into the red background, bringing the king's face into even more prominence. Yao says he wanted the painting to be distinctive, and a break with the past. He was aiming for something personal. Gonna pause for a moment here.

[00:16:00] Well, it's not really a break from the past when you realize what is actually encoded in there. And we're gonna get to that. But I would recommend, go look up this painting. I don't think we're gonna read anymore from this mainstream article, because it's not really revealing much of anything. It's just giving you a very basic breakdown. Okay, they unveiled this painting of the king. Many people looked at it, and it's been controversial.

[00:16:28] There have been people who have been able to put it in Photoshop, like I said, find all of these images hidden in the background. And of course, this artist is out there claiming plausible deniability. He just thought the color scheme was neat, right? And he put the butterfly there because of the king's interest in conservation. Conserving natural resources. Okay. Okay, we buy that, Mr. Yeo. We do not.

[00:16:57] But anyway, let's get to the meat of the matter here. So what exactly are we really looking at? Well, the symbol of the red king can find its roots in alchemy. In order to understand this, we're going to take a look

[00:17:26] at some basic alchemical premises, and then we'll connect the dots for you folks. And like I said, everybody else that I have seen break down the meanings in this painting, they failed to make the connection to alchemy. At least any of the ones that I've seen or heard about. And this is wherein the rubber meets the road. This is the important bit of it.

[00:17:57] So we're going to read here about the seven stages of spiritual alchemy, which is a very specific type of alchemy. And some of the alchemists will say this is not a real form of alchemy. This is something that was ingratiated into the minds of the masses. Around the time of the theosophists, around this reset point in the mid to late 1800s, that we've discussed so many times within the realms of occultism,

[00:18:27] there are people who will argue this was never what alchemy was about. But certainly, the connection is there. We have these spiritualized forms of the alchemical processes. And whether it's an actual science that does exist or is just existent in the form of the law of analogy or allegory, you can argue the semantics of it, but certainly we can see the effects of it. And there are people in positions of power

[00:18:57] in this world that believe in this and act upon it. So the things they do will affect all of us. So it's important that we understand this. So the seven stages of spiritual alchemy are the same as the seven stages of practical alchemy. So what are we discussing here? Now, if you talk to somebody who performs alchemical processes, they understand certain things that they can repeat

[00:19:26] and do over and over again in making spagyric formulations and tinctures and things like that that really are proof of concept for this. Now, when you can apply this in a spiritual sense, this becomes very important here as we'll see. So let's go through these seven stages and then we'll connect the dots for you because you'll see this is relevant and it is important. And it is, I think, the key component

[00:19:55] to connecting the dots here. Calcination, the first stage of alchemy, is also known as the black stage. The color black represents chaos, that which is hidden and buried, and the material of the unconscious. It also refers to the materia prima, which is the idea in occult sciences that all matter in the universe emerged from an original primitive base. Calcination refers

[00:20:24] to the burning of the materia prima until it is transformed into ash. In a spiritual sense, it refers to breaking with our worldly attachments the desire for status, wealth, and the need to solidify our identity. It's not to say that these things are wrong, but according to the process, the development of a higher level of consciousness and the refinement of the spirit is hindered by these attachments. Calcination also refers to the burning

[00:20:54] off of all of the superfluous elements of ourselves that no longer serve us. We are purified by fire, and the hardened and dead parts of ourselves have burned away. All that has calcified in ourselves is removed in a similar way to how hardened plaque buildup on teeth can be removed. Our preconceived notions about our identity and our beliefs are put to the test in the calcination stage. Our ideologies and neuroses

[00:21:23] begin to lessen their grip on the persona, enabling one's true spirit to awaken. The calcination stage has been likened to the dark night of the soul. I'm going to pause for a moment here, folks. The dark night. You can connect the dots with that one and all you would like, but you see how at the core all of these things always tie back

[00:21:52] to the occult. The 16th century poem describes the journey of the soul in unification with God, whereby our former worldview is dismantled and we undergo a kind of existential crisis. The beginnings of spiritual development are typically arduous, since our former ties of identification are no longer valid and we come face-to-face with the void. So calcification,

[00:22:22] also known as negrito, the negrito process in alchemy, the blackening, the black, the void, coming to grips with the void, the dark night of the soul. So this is the first step and as we'll see, we'll get to the connection here with this portrait in a moment. Stage two of spiritual alchemy.

[00:22:51] Dissolution. The second stage of spiritual alchemy involves dissolving the ashes in water. Water could be interpreted as a symbol for the unconscious, which contains the hidden parts of ourselves, of which we are afraid, and up until now have not been explored. Dissolution can be understood as the stage in which we free ourselves from our inauthentic and acquired sense of identity. In chemistry, dissolution refers to the dissolving of solid material,

[00:23:22] such as salt dissolved in water. It can be understood in Jungian terms as the dissolution of the ego. Since the dissolution stage takes water as its symbol, it is also associated with intense emotions, as water often symbolizes the reservoir of emotions we contain within. The dissolution stage involves the outlet of repressed emotions from traumatic events that have been pushed down

[00:23:51] in our psyche. It can be a very cathartic step as we free ourselves of past painful experiences. I'm going to pause for a moment there. Dissolution. The application of elemental water in this case. This is the second step in alchemical processes. And we see how Carl Jung, as well as others, have attached this ideology to this spiritual process. And of course, you'll notice

[00:24:21] that it's all about repressed emotions from traumatic experiences. This is speaking to what they have hijacked here as a form of initiation, a form of synthetic initiation where they apply trauma to people to bring about this state of dissolution. Now keep that in mind. So we have some important things

[00:24:51] going on here. We have, first of all, the calcination, calcification, dissolution. Third step we're going to talk about. The third step, separation. In the separation stage, the pure essence is extracted from the rest of the mixture. I'm going to pause for a moment. So now if you're thinking in terms

[00:25:19] of spagyric processes, alchemical processes, first you burn the substance and get the black, the ash from it. Then you dissolve the ash in water. And now this third step is the separation stage where you're separating the pure essence of the substance from the remaining material that constitutes it. So let's read on here.

[00:25:49] In the separation stage, the pure essence is extracted from the rest of the mixture. As the first two stages were associated with fire and water, separation is related to the air element. I'm going to pause for a moment. Notice we're going to go through each of these stages of the philosophical elements, fire, water, and now air. In a spiritual sense, it can be understood as separation from one's habitual thought processes

[00:26:18] or emotional trigger responses in order to step back and distinguish our essence from our acquired personality. Separation is a very liberating stage where we can free ourselves of resentment towards ourselves and others. It is a kind of liberation from negative emotions. By doing so, we can become aware of our true feelings. We separate ourselves from our inauthentic selves and step closer to our essential or higher self.

[00:26:46] The separation occurs when we no longer identify with the character we have played or we have been playing, but rather, we become the awareness itself. I'm going to pause for a moment. Notice the language being used here, the character we're playing, the character we have been playing. All the world is a stage, folks, even for these people who put into practice some of these ideas of spiritual alchemy.

[00:27:16] That is especially the case. awareness of our own thoughts, feelings, and desires, but without identifying with them or becoming attached to them. The separation stage is a kind of detachment from our old skin. After the emptiness and suffering in the first stage of calcination and then the fearful stage of dissolution, where hidden emotions emerge, the separation stage comes as a welcome relief as we experience the stillness of being separated

[00:27:45] from our inferior and inauthentic qualities. So let's break this down. So first we have calcination, then dissolution, and now separation. So we have the fire, the water, and the air applied, wherein we separate out the essence, the essence from the physical manifestation. Let's read on. Step four is conjunction. Conjunction.

[00:28:15] Conjunction refers to the process of combining the elements from the previous three stages. In a sense, we see what still remains within us, which is of value, and then begin to combine these elements to form one's authentic self. After the first three stages of purification by fire, water, and air, our disparate elements are brought together under the earth element. Now I'm going to pause for a second here, folks.

[00:28:44] So the first three steps are about purification. You're purified by fire, by water, and by air. And then, all these things are brought together into the earth element. Now this would be concurrent with how much of the occult cosmology works, wherein you have, first of all,

[00:29:14] these processes that happen in the spiritual, and then they manifest and materialize, manifest in the physical, material world here. That would be the earth. So we have this consensus. We go through this process. The essence is purified, and this is done in the spiritual first, before it can manifest in the earthly. So you have these first three steps, which are about the purification,

[00:29:45] and then this fourth step is about the manifestation in the physical. spiritual. So let's read on here. We begin a process of embodiment as the spirit begins its process of materialization. We begin to feel unified in body and soul, but we are still drawing together the different strands of our true self, and we are not yet finished. Polarities cease their conflict

[00:30:15] and come together, such as male and female, body and soul, spirit, and matter. Harmony is achieved between the different elements of our being. The attributes typically associated with the feminine, such as intuition and emotion, unify with those attributes conventionally associated with the masculine, such as intellect and logic. And we're going to pause for a moment here.

[00:30:46] So now we have this fourth step. relating to the material world manifestation of this spiritual process. The beginning phases and see, this is where much of our chemistry gets things wrong. It only does part of the alchemical process, and that's why so much is lost in our modern way of doing things.

[00:31:16] Let's read on here, and I assure you I'll tie this all together very soon. Stage 5 Putrefaction Fermentation Putrefaction or fermentation is the fifth stage and describes the decay of one's old self and the rebirth of one's true self. The first four stages involved discarding our old, inauthentic self and drawing together the authentic elements within us.

[00:31:46] At this stage, however, we catch a glimpse of a more refined authentic self. This stage can be likened to the rebirth of the phoenix from its own ashes. I'm going to pause there. Okay, folks, this is where the rubber meets the road. This is what's being portrayed in this portrait. portrait.

[00:32:16] It's about the collective spirit of man being transmuted. It's about the advent of this new world order, the rise of this new world order from the ashes of the old one. This is an announcement by those dark occultists who run things. They're trying to force this upon you. They see this as an alchemical process, a transmutation, which is what the butterfly truly represents.

[00:32:46] They're transforming mankind into the next stage. This is the advent of transhumanism upon the population, bringing about the post-human world. These are the beginning steps. This is the putrefaction or fermentation process that's being announced right now. And I would say we're partway through that and approaching the sixth process as we will see. And this is what's been announced by this painting. Now, I know this may be a

[00:33:16] bridge too far for some people and maybe you're not picking up what I'm putting down yet, but stick around. We're going to connect the dots. The process can be split into two, putrefaction and spiritualization. Putrefaction is the rotting away of our former selves as the superfluous is let go. Putrefaction can be a difficult stage and can involve strong feelings of depression or despair since we fear losing our identity, which is associated with our old self.

[00:33:46] Spiritualization, meanwhile, gives great relief as we begin to see the world in a new and luminescent way. It involves letting go of those parts of ourselves that no longer serve us in our present life, and as a result, this step can be accompanied by blissful feelings of inner peace and contentment. And I'm going to pause right there. So now there are concurrently two things going on in the world. There's two separate

[00:34:17] classifications of humanity right now. This is all by design. This is all through the alchemical process. It's the separating, the putrefaction, and the spiritualization. Now you could approach these things in the physical way, or you could approach them in the spiritual way. And this is where we have a division now in mankind. You have those that are thinking, more spiritually minded, and you have those thinking strictly

[00:34:46] in material world terms. The separation is happening. We have these two humanities existing side by side. This is all part of the process, you see. And we've been told about this. There will be a great apostasy and a great falling away. And we see that going on. We have this falling away. We have those people that are more focused on the spiritual. that's a small minority, a remnant. And then we have the

[00:35:16] bulk of humanity, who is so ingratiated into the hyper-materialist paradigm, that they will proceed in this way. And it's all a matter of what happens next. We have some choices to make. And these are individual choices that we need to make, because that's at the core of the alchemical process. It's an individual path. And it's different for each person. But what they're trying to do is they're trying

[00:35:46] to make a one-size-fits-all path, which they've encompassed everyone in, and ingratiated them all in, and are pulling them into this path. And they think by doing so, they're doing you a favor, these dark occultists who run things. And certainly they're not. They're not doing you a favor. As much as they would like to hijack this natural process, they know it's a natural process. And they know they've

[00:36:15] inverted it and turned it into a completely unholy synthetic process. And in so doing, they've created a perversion. And what's coming of this is more the putrefaction rather than the spiritualization. Now there are some who anyway are taking in the spiritualization process, but there are the vast bulk of people are just being drawn into

[00:36:45] the putrefaction. And we see the results in this world. We see the moral decay of this world. We see those people so caught up in this hyper materialist paradigm that they can't think clearly and they can't think deeply about anything that truly matters, any of the spiritual aspects of things. They're caught. Now this process, this

[00:37:15] separation, which is coming here next, we'll see. We've discussed the separation process prior, but there's another process which will be represented as a type of a split. Let's put it that way, as we're seeing here in humanity. This process is coming and this is where things get really interesting because

[00:37:44] this could be viewed from the spiritual context, from the theological process. This could be seen as akin to what is described as the rapture in the Bible. Now the word rapture never appears in the Bible. People will argue the semantics with that, but of course we see a falling away and we see this rise rise of the spirit, this separation between those

[00:38:15] who have gone through the spiritualization process and those who have not. So we have this separating, this splitting of the population. Now you could argue the semantics of this all day long, but understand there's so much encoded in the Bible and you could tie some of these alchemical concepts back to it, to these descriptions that are given. And it's also important to

[00:38:44] understand that the Apostle Paul, you see, he will tell you in 1 Corinthians chapter 13, which is commonly known as the love chapter, for I have understood all mysteries. What do you think he's talking about? He was one of the Pharisees. He was one who was initiated into these mystery schools. He understood all of their philosophy. philosophy. He understood all of these different things. And he walked

[00:39:14] away from that because he came to a greater realization of truth. And he knew that those things that he had learned, although they had a lot of truth in them and they taught good valuable information, they'd been perverted and inverted. So he understood these things and he understood the importance of these. And sometimes I think he drew from a lot of this information or

[00:39:44] source material that he knew in the mystery teachings to teach the early church. So this process seems to tie in with that connection in the Bible. Now if you think that's a bridge too far, that's your right to think so, but I assure you we can read the

[00:40:13] that hermeneutical meaning into what's being said there, into the biblical scripture. Now what's the true nature of this? I don't know, I don't pretend to know, but certainly we can see these ideas encoded in one of the ciphers through which you can translate scripture. A hermeneutical lens, you see hermeneutics, you can apply different types of interpretation to each scripture,

[00:40:43] and certainly the alchemists have done so, they have always done so. Paul understood this, and this could be applied in that way, alluding to this alchemical process wherein we have this split between the spirit and the form. So let's read on here, the next stage, stage six, is the distillation.

[00:41:13] Now pay close attention, and we're going to get to this here. The distillation stage is the stage when all of the impurities are removed, and there is nothing left but the essence. In chemistry, distillation involves boiling and condensation to separate components and is commonly used in desalination. A liquid is boiled until it evaporates, and as the steam condenses, the essence is liberated from the matter. It marks the point at which our essence becomes

[00:41:42] spiritualized. In other words, in spiritual alchemy, distillation is a metaphor for the actualization of one's spirit. In Jungian terminology, this stage also involves the assimilation of any shadow aspects into our true self. It is the distillation of one's true self and represents a step up in consciousness as our core identity is freed from any inferior elements. At this stage, the ego has ceased

[00:42:12] dominating behavior, as we begin to hear the voice of our soul. It also marks the point at which the conscious and unconscious aspects of the self are brought into harmony. So I'm going to pause for a moment here. So now, in this stage, the distillation stage, this is where we see a second separation. This is where we see what is described

[00:42:41] in the mainline theological concept of the rapture, this separation from those who have been spiritualized and those who have not. You see how it ties to the alchemical process? There will be those left behind. This will be the byproduct of this distillation stage where the pure essence will come out of those who have gone through this spiritualization process in the prior step.

[00:43:13] So what's being represented by this painting, and we'll get to how this represents that in a moment, because I know I'm probably confusing some of you and you may be lost, but you'll understand if you just stay tuned a little longer. We'll put it all together. So we have this announcement, this rebirth from the ashes of what they call the New World Order, and you'll see how it's been completely inverted

[00:43:42] and turned on its head. But it's all about this division of the people. It's all about this division of the people into these two separate groups, those who have been spiritualized and those who will be left behind, as we'll see here. So stage seven, coagulation. The final stage in the alchemical process here is coagulation,

[00:44:12] which describes the process of solidification, where one's essential self becomes whole. Coagulation refers to the process by which a liquid, typically blood, keep that in mind, this is an important context here to keep in mind, typically blood solidifies. It occurs when we are cut in order to form a scab. In spiritual alchemy, coagulation involves the solidification of our true self and can be likened to

[00:44:41] healing from a wound as we feel ourselves to be independent and complete. Coagulation involves the complete unification of polarities, spirit and matter, body and soul, masculine and feminine to form a single whole. In this final stage, one's higher self emerges, and it can be likened to the point when the gold cools and solidifies. So we have this last stage, coagulation,

[00:45:11] and you'll notice how they tie this to the notion of blood and how a wound forms a scab and how it's the solidification of the true self, healing from the wounds, from the trauma. But see, here's the kicker. They're the ones that apply the trauma. Do you understand? They're forcing this upon people in an unnatural state. They've hijacked

[00:45:41] the process. This natural process that we all go through in life, and it's different for each of us, that they like to call in the secret schools initiation. And they've taken this initiation, and they've boiled it down to a one-size-fits-all practice throughout secret schools. And this is what I call synthetic initiation, and this is part of the problem, because they always seem to use trauma as

[00:46:12] part of the initiation process here. So they've tailor-made this notion, and now they've applied it to mass psychology and to the world at large. That's why they will give us these major traumatic events that play out on the world stage and affect all of us in various ways. But here's wherein

[00:46:42] things get interesting. So now we've covered these stages of the alchemical process, and I've pointed out that I think right now we're sitting somewhere between the fifth and sixth stages of these as far as the collective unconscious goes in mankind, or the zeitgeist of the time, if you want to call it that. And now we're going to connect some dots. What does this have to do with the

[00:47:11] king's picture? Well, we're going to read the marriage of the Red King and the White Queen in alchemy. So what exactly is this talking about? The Red King and the White Queen are alchemical allegories, and their union represents the process of uniting opposites to create a greater, fully unified product of that union. It's all about the alchemical wedding, folks. It's about

[00:47:41] transmutation. It's about combining the polarities together in unification, and that's what's represented in this notion of the birth of the New World Order from the Old World Order. You see, in their perverted minds, they think that somehow this dystopian future, that they're foisting upon us, is a utopia, wherein everybody will get along, all the polarities will melt

[00:48:11] together, and we'll have collective thought and action. You see how the transhumanist notion of this comes together, a collective hive mind. All of these polarities will be combined. There will be no political disunification anymore, there will be no spiritual disunification, there will be only one direction everything goes. It will all

[00:48:40] be unified into this system. Let's read on here. Gender divisions. Now here, this comes into play too. Western thought has long identified a wide variety of concepts as being masculine or feminine. fire and air are masculine while earth and water are feminine, for example. The sun is male and the moon is female. These basic ideas and

[00:49:10] associations can be found in multiple western schools of thought. Thus, the first and most obvious interpretation is that the red king represents masculine elements while the white queen represents female ones. They stand on a sun and moon respectively. In some images, they are also flanked with plants bearing suns and moons on their branches. The chemical marriage. The union of the red king and the white

[00:49:39] queen is often called the chemical marriage. In illustrations, it is depicted as courtship and sex. Sometimes they are garbed as if they have just been brought together, offering each other flowers. Sometimes they are naked, preparing to consummate their marriage that will eventually lead to an allegorical offspring, which is known as the rebus. The rebus. Now, what is this really talking about? Let's get into it. Descriptions of alchemical processes often describe the

[00:50:09] reactions of sulfur and mercury. The red king is sulfur, the active, volatile, and fiery principle, while the white queen is mercury, the material passive fixed principle. Mercury has substance, elements, but it has no definitive form on its own. It needs an active principle to shape it. So I'm going to pause for a moment here, folks. You see, alchemy, there are important components in

[00:50:39] the alchemical process, they describe them, in various terms, and they usually use the terms sulfur, mercury, these types of things, and these are not what we would think of as these literal elements in the modern era, in our ways of scientific thinking. These are a symbol that represents something else, sulfur and mercury. So now, sulfur is the red king, the masculine principle. Mercury is the white

[00:51:09] queen, the feminine or female principle. and we're talking about the combination of these in this alchemical wedding, or this chemical marriage, as they call it here. In the lettering, the king says in Latin, O Luna, let me be thy husband, reinforcing the imagery of marriage. The queen, however, says, O soul, I must submit to thee. This would

[00:51:39] have been a standard sentiment in a renaissance marriage, but it reinforces the nature of the passive principle. Activity needs material to take physical form, but passive material needs definition to be anything more than potential. So I'm going to pause for a moment. So remember, the white queen represents potential, and the red king represents activity, or physical manifestation,

[00:52:08] of the spiritual process, the passive process. Now where are we going with this? We'll connect the dots a little bit further here in a moment. Next is the dove. A person is comprised of three separate components, body, soul, and spirit. The body is material, and the soul, spiritual. Spirit is a kind of bridge that connects the two. The dove is a common symbol of the Holy Spirit in Christianity in comparison

[00:52:38] to God the Father, the soul, and God the Son, the body. Here, the bird offers a third rose, attracting both lovers together and acting as a kind of mediator between their contrasting natures. Alchemical processes. Let's read on here. The stages of alchemical progression involved in the great work. The ultimate goal of alchemy, involving the perfection of the soul, represented allegorically as the transmutation of common

[00:53:08] lead into perfect gold, are these three processes. They're known as negrido, albedo, and rubido. Pay attention, this is where it gets important. The bringing together of the red king and the white queen is sometimes described as reflecting the processes of both albedo and rubido. Albedo meaning the white, rubido meaning the red, and of course negrido is the black. So we

[00:53:38] have all of these different combinations of thought in alchemy here, in the alchemical processes. So the red king represents the masculine or the materialization, the active component, the white queen, represents the passive component, the introduction of the new idea into the old system, waiting

[00:54:07] passively for its time to manifest in a very active way. So we have these stages of transformation here in alchemy. alchemy represented by various colors in the processes here. So let's read about that. Alchemy, as is

[00:54:37] well known, describes a process of chemical transformation and gives numberless directions for its accomplishment. Although hardly two authors are of the same opinion, regarding the exact course of the process and the sequence of its stages, the majority are agreed on the principal points at issue and moreover, from the earliest times since the beginning of the Christian era. The four stages of alchemy are distinguished by colors. Going to pause here. Now we have seven stages of alchemy, but there are four

[00:55:07] colors that repeat throughout these seven stages. So four stages are distinguished, characterized by the original colors mentioned by Heraclitius. Four stages of the alchemical process, the four elements, are indicated on the Philosophia Reformata. We have what's called melanosis, the blackening, and you can apply these

[00:55:35] other names, negrito. We have leucosis, the whitening, albedo, we have xanthosis, the yellowing, and we have eiosis, the reddening, or rubido. This division of the process into four was called the quartering of the philosophy. Later, about the 15th or 16th century, the colors were reduced to three, and the xanthosis, otherwise called the citronitis,

[00:56:06] gradually fell into disuse or was seldom mentioned, and this would be the yellow. The yellow phase, or the gold, if you will. Instead, the variditis sometimes appears after the melanosis, or negrito, in exceptional cases, though it was never generally recognized. So this is the separation of this yellow color from much of the accepted process. Now this is as of the 15th, 16th centuries,

[00:56:36] after those like Paracelsus came about and began to really quantify the alchemical processes in ways, we have all of this. So we have the classification of alchemical stages here. Now let's read this because this is an important foundation to go where we need to go next. whereas the original tetrameria was exactly equivalent to the quaternary of elements,

[00:57:06] the four elements, folks, it was now frequently stressed that although there were four elements, earth, water, fire, and air, and four qualities, hot, cold, dry, and moist, there were only three colors as opposed to four, black, white, and red. Since the process never led to the desired goal, and since the individual parts of it were never carried out in any standardized manner, the change in the classification of its stages cannot

[00:57:35] be due to extraneous reasons, but rather to the symbolical significance of the quaternary and the trinity. In other words, it is due to inner psychological reasons. I'm going to pause for a moment. So this is how the whole context of what's known as spiritual alchemy came about. It's about the four square man being a threefold being. So the four and the three equals seven, the exact number of steps in the alchemical processes,

[00:58:06] as has been adopted by modern thought. Now I hope I'm not losing you on this. There's a lot of nuance of understanding, and I think you'll pick it up if you've been following this program for any length of time. You'll have an idea as to what's being represented here. The initial state, the negrito or blackness, is the initial state, either present from the beginning as a quality of the prima

[00:58:35] materia, the chaos, or masa confusa, or else produced by the separation of the elements. If the separated condition is assumed at the start, as sometimes happens, then a union of opposites is performed in the likeness of a union of male and female, followed by the death of the product of the union and a corresponding negrito. So I'm going to pause for a moment here. So the combination

[00:59:05] of masculine and feminine produce a third product or an offspring, which dies in the process here as a corresponding negrito to bring about a rebirth. This can be fully encapsulated in the mysteries of Osiris, Isis, and Horus, as well as other of these systems, these various traditions, and old mystery school teachings. And of course, a lot of these things translate

[00:59:34] into directly spiritual aspects of things commonly accepted in religious practice, the Trinity. You see, we have these notions of things, and it all has this foundation of alchemy beneath it. And you can read it into it. Now, what you make of that is your own interpretation. You can apply these things across the board. It's a philosophy. It's a way of thinking. Don't take it

[01:00:04] too much to heart as far as aspects of the true nature of God or the true nature of man. And this kind of thing, it's a way of describing certain processes that have been recorded and known. And we see these actually symbolized everywhere in this world. So, the Negrito, the eclipse of Mercurius Senex. Mercurius Senex exhales the spiritus and anima.

[01:00:34] The raven is a Negrito symbol. So, the raven represents the Negrito process in symbology. Next is the whitening stage. So, that's the blackening stage. Now, we're going to get to the whitening stage. From this, the washing, the albedo, either leads to direct whitening, which is the albedo, or else the soul or anima releases at the death, or released at the death in the Negrito, is reunited

[01:01:04] with the dead body and brings about its resurrection. Or finally, the many lead to the one white color that contains all colors. I'm going to pause for a moment here. So, we see a lot of representations of this. A coat of many colors which combine together into the white color. The prism, we have all of these different allegories we can take from this.

[01:01:34] So, we have first is the first main goal of the process here. At this point, the first main goal of the albedo, highly prized by many alchemists as if it was the ultimate goal. It is the silver or moon condition, which still has to be raised to the sun condition. The albedo is, so to speak, the daybreak, the new dawn, if you will, but not till the rubido is it sunrise. The

[01:02:04] rubido, the red, the red king representing the sunrise. You the albedo, in this case, the white, the white queen, represents the potential for the new dawn. But the new dawn doesn't come until the red king rises in the morning. The representation of the sun. So are you beginning to see what's encoded

[01:02:34] in this painting? It's the announcing of the new dawn, the new order. And we are in this alchemical process of the bringing about of this. This is what's encoded in that painting. Are you beginning to connect the dots yet? Let's read on. The transition to the rubido is formed by the citronitis

[01:03:03] through this, as we have said, but was omitted later. So the citronitis representing the yellow color. But this was taken out of the alchemical process. You see, even the natural processes of alchemy have been toyed with and tinkered with and messed with and inverted. And now we're missing components even in what practicing alchemists today consider alchemy. There's a component missing now.

[01:03:33] This is hugely important. This is why you can begin to understand how these things have been inverted from what their original intent was. But at any rate, let's read on. So the rubido then follows direct from the albedo as the result of the raising of the heat of the fire to its highest intensity. The red

[01:04:03] and the white are king and queen who may also celebrate their chemical nuptials at this stage. So the king and queen, the red king and the white queen, the raising of the heat of the fire to its highest intensity. This is an announcement folks. We're going to be going through some very tough times upcoming to bring about this new dawn or this new world order. This is what the announcement was. This is what that painting represents. King

[01:04:33] Charles representing the red king and of course his mother Queen Elizabeth representing the white queen. Now what does this look like, these chemical nuptials? The crowned hermaphrodite representing the union of king and queen. King and queen stand between the sun and the moon. The hermaphrodite. So do you understand how this ties not only to the transgender ideological

[01:05:02] circumstances that have arisen, but also directly to the transhumanist notion of things. The red king. King Charles represents the red king. Now Queen Elizabeth, how does this relate to the white queen? Well we see the white queen, this is the potential. At the passing of the white queen, Queen Elizabeth here, this brought into account

[01:05:32] the active principle, the masculine from the feminine. You see the world was operating under the auspices of pure potentiality, the feminine principle at that point. Now with the queen's passing, this brought in the notion that the red king would be coming, the rubido process, the dissolution of the albedo process, and the advent of the rubido

[01:06:02] process, the red king arising. So how do we identify Queen Elizabeth as the white queen? Well she was named along with another queen named Elizabeth, Elizabeth Woodville, who was known as the white queen, who was a central figure in the War of the Roses. I'm going to pause for a moment here. So now we have this synchromyistic

[01:06:32] connection, this Kabbalistic, and I'm speaking of the phonetic Kabbalah connection here, to the secret teachings, the War of the Roses, the rose, another symbol of the new dawn, the Rosicrucians, one of the key conduits for alchemical thought. The War of the Roses, this Queen Elizabeth Woodville was known as the White Queen. Let's read a little more

[01:07:01] about this. And of course, her namesake, Queen Elizabeth, when she died here, was the representative of the White Queen. We were operating in the passive phase of the New World Order at that time, and now this is the announcement of the active phase of the New World Order with the advent of the Red King. You see, the masculine is active, the feminine is passive. So when the White Queen ruled, we had this very passive

[01:07:31] or secondary introduction, the subtle introduction of a New Dawn or a New World Order. And now that the Red King has arisen to prominence, this is the active phases. So this is bringing about the materialization of the New World Order now. This is what's been announced by that painting. So this Queen Elizabeth Woodville was a central figure in the War of the Roses, connecting it, of course, has come

[01:08:00] forward alchemically through the years. And she found herself on both the winning and losing side as the battle between the Yorkist supporters and Lancastrians directly impacted not only her time as Queen Consort, but the fate of her two young sons known as the Princes in the Tower. The Princes, two princes representing towers. Are you seeing these

[01:08:30] connections yet? Are you beginning to see some of the connections? I don't know if I'm going to go too much further into this. It's enough to know that Queen Elizabeth had this mantle of the White Queen upon her, just based upon her name and her connection to this well-known White Queen of the War of the Roses connecting the dots here.

[01:09:00] So when the Queen was on the throne, this was the passive principle of the New World Order. And now we have the Red King on the throne representing the active principle of the New World Order in this combination, this alchemical wedding of sorts, to bring about this transformation into the collective unconscious of mankind, wherein we will see this separation and we are in this process

[01:09:29] in the alchemical with this. it's the transmutation wherein we're seeing this division in man. The spiritualized ones, the remnant, is being separated from the bulk and these are the ones that will be left behind as described in the biblical context of

[01:09:59] the rapture. This will be the bulk of humanity who goes through this perverted evolution of mankind into the transhumanist notion. This is what's being represented here. Don't be deceived, folks. And like I said, some of this may be a bridge too far for some people to understand, but certainly we have this connection here. We have this tie back to alchemy and the alchemical

[01:10:28] principles, and that's what's represented in the painting, but it also represents some other aspects of things tying to what is known as primal witchcraft. Primal witchcraft. You see, the white queen, Queen Elizabeth, as well-known, was initiated into the Druidic rites. And what

[01:10:57] are these? Well, these relate to this underlying philosophy behind the Druidic, which is this primal witchcraft, and it also underlies some of the principles associated with what we would know as witchcraft today, which is slightly different from the New Age notions of paganism and Wiccan as we open the show with. But a lot of this

[01:11:28] relates back to some older teachings of the secret society groups. After the destruction of Atlantis, the mapped soul path of the Atlanteans in their entire universe were both sealed away from the newly forming race of man. You see, the old is new again, new is old. We go through these various cycles. This represents this advent from Atlantis or

[01:11:57] Atlantean man into the new man at the earlier time. Part of the cycle, part of the allegory that can be talked about here in this alchemical process. And they're saying the newly formed race of man, the notions or the ideas, the knowledge base of those civilizations of Atlantis were sealed away from man at this time, when the modern iteration of man

[01:12:27] took hold. This is according to the teachings of primal witchcraft which can find some of their foundations in other philosophical or secret society group doctrine. The great abyss created within the new universal soul map, the tree of life and its night side companion became the first milestone of soul evolution and spiritual transmutation. Those who are successful in this crossing are then shown the paths which lead beyond the

[01:12:57] gates of the inner sanctum of the dark witch gods. This is the beginning of a journey of the newly evolved soul which must now learn its true path. Now this is from a book titled The Red King written by to the rising of this primal witchcraft notion or idea in the UK and make no

[01:13:26] mistake about it the royal family has inroads to this way of thinking and they certainly give a bit of impetus to these ideas. You see they think they draw and derive power from some of these ideas related to this and who are they worshipping? Well according to which gods which are who well we'll get to that

[01:13:58] dark magic within the universe of man there exist the realms of the infernal and empyrean the opposing polarities of light and dark their purpose their is to create an environment of free will through the of transmutation and soul evolution the balance of power and gnosis is achieved through the mastery of these twin polarities these

[01:14:28] energies are the boundaries within the soul path of the universe of man going to pause for a moment so you're talking about the mastery of both this divine feminine and the divine masculine aspects as allegorized in the alchemical marriage process the alchemical wedding which we had just previously discussed this combination of the white queen and the red king to birth this new unified

[01:14:57] concept the represented here and what is being invoked here what is it that the royal family believes they're invoking here and those key constituents and components around it let's read on and see true hell is the void itself its raw power can fuel the fires of the infernal klyphotic worlds forever gonna pause for a moment

[01:15:27] now we're getting some key connections this is a Kabbalah idea the clefoth the backside of the tree of life the inverse you see it's the inversion principle what's the opposite of life folks this is the limitless magical force or realm of pure chaos of the elder gods of which Hecate is the first now who is Hecate Hecate is a Greek goddess

[01:15:57] of magic if Egyptian mythos and the Egyptian mysteries this would be Isis this identifies Isis Hecate this is the goddess of witchcraft folks this is whom they're referring to if you ever have heard of people who espouse the religious

[01:16:27] ideologies of what they call Wiccan or witchcraft or whatever they call themselves they will tell you in witchcraft they worship the goddess and the god well we've identified the goddess and we will identify the god of witchcraft here soon and remember these are the forces the spiritual powers that the royal family follows as evidenced by the queen's initiation

[01:16:56] into the druidic rites which are witchcraft so they believe these are the elder gods hecate the goddess who was the first the goddess of magic and let's read on the magic of the void is capable of the most awesome forms of spiritual transmutation when employed as a form of negrito initiating tremendous leaps in soul evolution through

[01:17:26] correctly applied spiritual alchemy it will however if the flow becomes unbalanced cause the same black corruption of the soul as that which brought down the atlanteans the blackness which first corrupts the mind will inevitably devour the souls of those who fall prey to the ever increasing flow of unlimited power unless the greatest discipline is adhered to so I'm going to pause for a moment so the void the

[01:17:56] blackness you see they claim that there's limitless magic magical force in this realm of the elder gods which they describe as the void which is also described as true hell where are they invoking this power from and of course they also say that it will devour their souls if they're not careful but of course always these high witches and high magicians

[01:18:25] think for some reason that they are beyond that they can overcome that when in fact it's evidenced even the most advanced magicians historically recorded have been devoured by their own tapping into this type of thing it's a lie you see they think it gives them some form of power and maybe it does to a certain degree give them some type of limited material world power here

[01:18:55] but at what price let's read on remember this is from the beliefs of primal witchcraft and we've identified the goddess of that of witchcraft remember if you know anybody who's ever been involved in wicca or witchcraft they will say they worship the goddess and the god well the goddess is hecate also known as isis the goddess of magic

[01:19:26] and this is telling you where they derive their magical power from the void or hell the void is the black eternity in which all universes exist though its power is held from the soul path of modern man there are gateways through which it may be accessed these are the points of the universe through which the immeasurable energy may be drawn by those who are granted the knowledge and power that is necessary to

[01:19:56] not only open them but to assimilate the unlimited raw magical energy which lies beyond there are four connection points to by the witch gods themselves these gateways created by Hecate are held at the four corners of the universal soul path of mankind those who guard the four cardinal gateways are known throughout history and magical lore as the demon princes

[01:20:25] led by the ruling god of this universe Lucifer the demon princes are the custodians entrusted by Hecate with the eternal power of the void I'm going to pause for a moment here folks now you know a little something more you see in witchcraft the goddess that would be Hecate or Isis is whom they worship and the god they worship is Lucifer the

[01:20:56] ruling god of the universe this universe according to them is the gateway to these other universes you wonder where the multiverse came from in modern fiction just like everything else it always always always ties back to the occult folks so they think that they

[01:21:25] could access other universes and become the gods thereof through this gateway and they regard Lucifer as their god and Hecate or Isis as their goddess and this is the spiritual current that underlies witchcraft folks it's based in deception they think

[01:21:55] that there's unlimited power by tapping into what they call the void here the blackness the darkness or hell as it's rightly been identified here do you see how deluded and deceived many of these people are who follow these witchcraft ideas and make no doubt about it the royal family especially Queen Elizabeth herself she was initiated into the

[01:22:25] Druidic rites which alchemical ties to all of it and we're going to connect some very ultimate dots here in the next couple minutes and we're going to wrap up so we have here the claim is that the gateways to the use of

[01:22:55] this power of the void were set up what are known as the demon princes and they are led by the ruling god of this universe who is known as Lucifer and the demon princes are custodians entrusted by Hecate or Isis with the eternal power of the void if controlled the pure energy of the void can be ensorcelled

[01:23:25] and applied to any form of magic within the witchcraft through the demon princes the void may be tapped and the unlimited flow of dark magic controlled through the four cardinal gateways this yields an unlimited source of the most powerful magic magic that was used by the first race of man which they're identifying here as Atlantis according to primal witchcraft and of course if you follow some of the secret teachings back you know that's not

[01:24:03] but they are claiming the first race of man or what they might contrive as modern man being the Atlanteans this was the dark magic that they used and of course according to the traditions of the secret schools this is one of the things that led to the destruction of the Atlanteans their use of dark magic this is one of the keys to understanding and harnessing the power and gift

[01:24:34] void is eternal the formula of the demon princes has been distorted for many thousands of years though their magical assistance may still be requested what is given is but a fraction of their true power it must be supposed that after a time of it must be supposed that after a time the secrets of the demon princes died with those who kept them hidden leaving only that which was purposely distorted the

[01:25:04] altered positions of the princes and their gateways the gods and spirits of the witchcraft will not grant unto all men the keys to the greater mysteries upon simple conjuration and calling many will give nothing more than they think the summoner is expecting to hear indeed these are the beings who purportedly talk in riddles set tests and when necessary present false pathways in order to separate those who would very quickly fail or

[01:25:33] fall into the ego fueled soul devouring entrapment of the power of the void from those who would approach this work with the true intention of spiritual ascension and the desire to learn the path of the gods of the trident in soul eternity the desire for power is not an act of shame when it is followed with a full and pure heart in the names of the witch gods and their dark queen that said it is not a particularly admirable testament to the

[01:26:03] nature of man that this gnosis remains for the most part either lost hidden or secret now in the age of reawakening the dark goddess has for those who would walk in unquestioning soul devotion once again open the gates behind which the true gnosis of the demon princes has remained hidden for so long going to pause for a moment here so we have some stark admissions being made here first of

[01:26:33] all we have this notion that we're in some type of perhaps a reawakening stage here according to those occultists and those practitioners of this primal witchcraft which relates back to some much older ways of thinking but the admission is they know they're serving these dark powers but they think these dark powers offer them a

[01:27:50] and distorted Gnosis. Contrary to the Grimoires, wherein so much magic pivots around and is based upon the very young Christian faith, the Eastern quadrant of the universe is not governed by Urians. It is ruled by Lucifer. I'm going to pause for a moment. So now you know why they take so much stock in Eastern philosophies. Because according to this,

[01:28:18] these Eastern philosophies are ruled by Lucifer. Gnosis. Notice the attachment of Gnosis. Gnosis being the masculine principle. One side of the coin. Let's read on here. We might go a little bit long, but out of necessity here. He is the first of the witch gods under Hecate, the primary initiator,

[01:28:47] upon this path. It is from Lucifer that all other witch gods were created, and it is through Him that they have risen as eternal beings. Lucifer is the first star of power, and it is He who governs the Eastern gateway, opening the pathways of the demon princes. I'm going to pause. Lucifer was the first star of power. Good old Hollywood stars, right?

[01:29:16] For those who allowed the distortion of Gnosis and the concealment of the true keys to continue, it must have seemed fitting that Urians, whose name is synonymous for many within the Eastern Orient, be falsely placed at this quarter. Urians is the prince of the Western gate. It is He who illuminates, as that which is fully risen in ascended sun, the way to Amenta.

[01:29:44] Urians is risen from Lucifer. This is the true path of the sun into night, as it rests below the dark waters of the Western gate. So we have the Eastern gate and the Western gate, folks. The Golden gate and the Silver gate being represented here. You wonder where those terms come from. What does the Golden Gate Bridge represent? The rising of the sun, the dawn of the new age. In the morning.

[01:30:18] Hasmodeus is the demon prince who governs the southern quadrant, controlling the fires of power and Gnosis of both Empyrean and Infernal realms. I'm going to pause for a moment. So some of the language used in this primal witchcraft, the terminology is different from some of the other mystery school teachings or the secret society vernacular that's used.

[01:30:46] I assure you it's describing the same things, but he's using different terms to describe a lot of the same concepts which underlie all of it. You see, this is just another group who thinks that they have some secret that the others don't, but they're describing the same things just with different words. Let's read on here. So we have this idea of the Empyrean and Infernal realms.

[01:31:15] The northern gate is guarded by Belial. This is his domain, and it is this witch god who controls the flow of magic that is delivered through the four cardinal gates to the incarnate children of the gods of the Trident. So I'm going to pause for a moment here. So now they're identifying some of these alleged demon princes that control access into this energy of the void, or hell, that can give you the powers

[01:31:45] from hell or the void, that you perform these rituals to. This is what underlies witchcraft, folks, or what many people will describe as paganism or Wicca when you ask them about what their beliefs are. They don't know. But these are the philosophies and the spirits which underlie and undergird all of it.

[01:32:15] Now, the next section of this book talks about summoning these great princes. I think we might skip down over this, because the portion that I'm looking for here will relate to what the topic at hand is.

[01:32:48] And what this does is this gives actual invocations and stuff for approaching these demon princes here in this book. And I don't want to partake in any of that or put any of that out there. But this portion, I think this is where we need to continue from. So it says, Time should be taken at each quadrant when calling the respective demon prince,

[01:33:17] for as you are opening the gates without, you are employing the true formula for the conjuration of these ancient witch gods within. Behind these outer gateways are pathways which are seldom trodden by man. So it's talking about when you open these external gates, it opens within you the gateway to be indwelt by some of these demon prince spirits. The demon princes

[01:33:46] are to be welcomed both singularly and collectively with the reverence that is shown to all the great witch kin of Hecate. The manifestation of the princes can be seen in thick red energy that is akin to the draconian physical plane manifestations of Lucifer, Belial, and the mighty behemoth. The demon princes will also often show themselves as columns of red energy, spinning vertices within which are manifested the features and characteristics

[01:34:16] of the prince's own respective quarter and realm. These are larger manifestations than are likely to be encountered when calling the same ancient gods through the gate of their individual sigil in singular evocation. This is due to the connection of the demon princes to their respective gateways. Each brings with him not only the power that is held behind their sealed gates, but also the sacred seals for each gateway. It is here in the meeting place

[01:34:46] of ancient and forgotten worship that you may attain further lost gnosis directly from the demon princes of the dark witch goddess. Gonna pause for a moment here, folks. So these demon princes manifest through this red energy. Keep that in mind. Let's continue. This first encounter is the foundation through which the entire art may now be taken to another level.

[01:35:15] This action will affect you within all aspects of your being. It is in part another process of the elevation of your soul. The demon princes will, during the first meeting, identify themselves with the essence of the soul who has called them forth in the names of the trident. A circle flanked by the princes of the four quarters is far more powerful than that which is open solely in the names of the elements. The demon princes lend their own vast power

[01:35:44] to all future work once called. Each subsequent meeting with the princes will yield further gnosis and renewed connection through which enhanced magical power is released through the foundations of inner plane connections which flow from princes to summoner. The power of demon princes merges through the cloak of Hecate at the heart of the circle greatly increasing the ambient energy within. This, though, is but a fraction of what is yet to come. Gonna pause for a moment here.

[01:36:13] Do you see how deluded these people are? They think they are wielding power and gnosis, their delivered gnosis and true knowledge of spiritual things by these dark beings. Do you see how deceived they are? And do you see how it connects to the color red? But wait, there's more. There's more.

[01:36:46] When all communion has been fulfilled in the first meeting and all other acts of ritual are complete, the demon princes are each shown the respect deserving of an ancient witch god and in the order in which they were called forth are asked under Lucifer in the realm of the supreme dark queen, Hecate, to return through the sacred black pathways of the earth to the four cardinal gateways at the outer edges of the universe of man. Any residual power is to be earthed

[01:37:15] before the work is finished and the circle is closed. It says, Before you part company with the great princes during this first visit, agreements should be made with each demon prince to encounter them in individual evocation. This will create a more powerful and in-depth working relationship with each guardian. The princes will not grant the true gnosis and power of their realms to those who are too afraid to truly know and can join with them at soul level. Gonna pause

[01:37:44] for a moment here, folks. This is an admission. They make packs with demonic forces. They conjoin their souls to them. They sell their souls. This is literally people selling their souls, being admitted to in this book we're reading from and make no mistake about it, the royal family and those that surround them are inculcated very much in this stuff. Let's read on. So it's during

[01:38:14] intimate communion, the greatest secrets of the demon princes and their role in the universe and soul path of man is revealed. The inner circle communions should begin with Lucifer for he is the first star, the flame which ignites and opens the hidden seals of the soul within this work. It is these subsequent inner circle meanings born of the first right that will grant the gnosis of opening the actual great seals of power which are the keys

[01:38:43] to the universal gates of the void over which the princes stand guard. In each of these individual evocations a carved sigil of each demon prince is to be empowered and consecrated with their own energy. It is then manifested upon the physical plane with an offering of your witch blood. Going to pause for a moment here folks. So once again this notion of blood and the red. Now I don't know this

[01:39:13] to be true and this is pure speculation but this portrait of King Charles being red as it is is it possible one of the pigments may be from blood that the artist used? I don't know that to be the case. It's purely conjecture on my part and speculation but the way these people operate I would not be surprised. Let's continue on.

[01:39:45] So it talks about the consecration of these acts through the various rituals and it talks about the success of the opening of the gateways here and then it goes on to speak of what they call the four horsemen. So let's continue and we're going to close out after this next section here. The gateways of the demon princes

[01:40:15] The seals of the gateways of the demon princes will only be given by Lucifer himself. This is his right as their lord. The seals open the gates of power guarded by these eternal beings. Those looking for seals of a revelationary nature will find them here. They are the seals of the four horsemen. This again is knowledge that was distorted,

[01:40:45] hidden in fiction and fear from the masses. Here is the science of true power, not the false power of the mundane sphere, but true universal power. These are the keys to eternity. They open doorways both within and beyond which lead to the thrones of the gods in the realm of the stars. The courage to walk this path and the soul's own love of its dark creator are the two most significant elements

[01:41:14] which must be included and held within this magical equation that is the work of Lucifer. This is the knowledge of the Red King, he who holds the secret keys to the paths of ascension. And I think we're going to finish it out there, folks. This is the knowledge of the Red King, he who holds the

[01:41:44] secret keys to the paths of ascension. You see, King Charles is being represented as a proxy of Lucifer. Now, can you construe this as King Charles being the Antichrist? I don't know, some people have speculated on that. But we see this connection, the Red King being a key part of an alchemical transmutation process, the introduction of the New World Order,

[01:42:12] and within this framework of primal witchcraft, the Red King represents the key to the gateway to the work of Lucifer, the Lucifer being his guide to opening the void, opening of these dark powers and unleashing them on the earth.

[01:42:43] Now, this leads a lot of fuel for speculation, and I think we need to apply discernment here. But certainly, I think the key takeaway we could get from this is we have this painting representing something very negative for the bulk of us, represents the unleashing of dark powers upon the earth,

[01:43:14] transformative, transmutative powers, which will create a division in man, wherein only a remnant, will transcend spiritually, and the rest be left behind to be transitioned into this draconian, technocratic new world order, the advent of transhumanism, the transformation of man,

[01:43:46] into this physical, hyper-physical paradigm, the lie, the great lie, in the Garden of Eden, becoming manifest in the rise and the advent of this antichrist system, the dawning of their new world order, folks, that's what this painting represents, that's why this is so important, it transcends our different ways of thinking,

[01:44:16] and I hope you're picking up what I'm putting down, I hope you understand the context of what's been revealed here, you see, whether you believe it or not is irrelevant, what you need to understand is there are people in positions of power in this world that very much believe in these old occult concepts and these precepts and the things they do to act upon their beliefs will affect all of us, so make no doubt about it, there are those within the auspices of power in this world, these dark occultists who

[01:44:46] run things, who have used this revelation of this painting as a signpost for the advent of their upcoming new world order, and they've empowered it with all of these energies of the void or of hell, and when you understand that, you know we are definitely living in interesting times,

[01:45:15] so take that how you will, as I always caution you, do take some of these things with a grain of salt, apply your discernment across the board, but understand the ideologies that are inherent here, and what it is that is behind. This painting which came out caused some controversy, got some attention from various people, and many of them missed the whole point altogether, and it will just be a forgotten remnant here in

[01:45:45] upcoming days and weeks, it'll just be another one of those things that has populated the human imagination for a very short and brief time and then was forgotten, but understand those with eyes to see understand that this is a major signpost for these dark occultists who run things in this world. They've made their intentions very clear, and it's signaling that we're coming upon some troubled times.

[01:46:15] So be ready, folks. That's not to say we can't have victory. We most certainly can. We can choose not to participate in this nonsense. It's an individual choice we all need to make, and sometimes that choice is painful, but we need to do so anyway, and we can have victory if we stand in our convictions and stand in our integrity. That's the important thing to do. Anyway, I do want to thank you all for tuning in. I want to remind you that I do appreciate

[01:46:45] each and every one of you. We'll catch you next time. Have a good one now. Discover the amazing, clinically proven health benefits of Original Tahitian Noni. Original Tahitian Noni includes powerful antioxidants, adaptogens, nutrients, and phytonutrients to naturally boost energy levels, immune system function, and overall health. Meticulously sourced from French Polynesia, this is the original super fruit except no imitations. Original Tahitian Noni. Visit ATRHealth at

[01:47:14] AlchemicalTechRevolution.com and click on the Shop Here tab for more details. We lead the world in facing down a threat to decency and humanity. What is at stake is more than one thought of our health. It is a big idea because repression has haris We'll gather inside the church.